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Happy Birthday Jay Dee | Illustrations





Illustrations by a dope artist, Sean A. Mack. I happened to come across these drawings via Twitter.

"In celebration of James "Jay Dee/J Dilla/Dilla Dawg" Yancey's birthday (Feb. 7th), I thought it'd be dope to do four 'spur-of-the-moment" pieces depicting four moments in Dilla's life on this earth."-Sean 

*To purchase any of the following albums click on the links below.- The Fantastic/Slum Village era
Welcome 2 Detroit
Ruff Draft
Donuts

Contact info:

 Joint comic series http://bit.ly/4FvQzu

Jam Session 2.0 | The Truth

Check out this video below with musicians from all over the world put together via the internet! 
''Music was inspired by Galt MacDermot's amazing, 
"Coffee Cold". Handsome Boy Modeling School 
(Prince Paul and Dan the Automator
flipped that song with J-Live 
and Roisin Murphy from Moloko and called it 
"The Truth".

Lyrics

Dumbfoundead 

A kid at the pawn shop just bought his first drum machine, 
From the slums, but them buttons will take him to another kingdom 
A woman humming in a kitchen in brazil, while 50 tenants listen by 
sticking their heads outside the window sill, this shit is real, hear 
the sounds across the land, no name brands, woman and man jam on pots 
and pans, a musician with lost dreams, sitting on concrete, playing 
his heart out on missing guitar strings, street performers for a 
quarter put on the show of there life, an emcee gets put on the spot 
rocks it and tears up the mic, the human instrument, reaching 
continents in long distances, no need for sophisticated systems for us 
to listen in, countries at war, expressing hate through there 
aggression. while two musicians on each side are having a jam session, 
whether both em know it or not, they are collaborating. You never know
which way your music is navigating, 


Esna 

Sing your heart out let your soul be heard 
Move to the rhythm to the groove of the drum beats 
Chill to the lines disappear to the moment 
Fly away persuade all the madness 
Just bounce just sway just listen 

Herbal T 

La música es un sonido supersónico 
y es por eso que no creo lo que leo en el periódico 
presenta un mundo dividido y tóxico 
pero ahora por los cables fiberópticos 
yo me comunico, así el mundo se pone chico 
si no me entiendes yo te lo explico 
whether you in the Bronx and you like to spit bars and rock clubs 
or Mumbai playin sitars and tablas 
the music is a way we escape, heal and grow 
and you aint gotta speak the language if you wanna feel the flow 
olha só rapaz, a gente vai a gente vem 
mas o ritmo é coisa todo mundo sempre tem 
tudo bem, faço música com colaboradores globais 
utilizando piano voces tambores e mais 
es un laso que nos une hasta el infinito 
the rhythms in us it travels wherever we go 


Esna 

Just let the music take you let your mind take you 
Way to find a way to need a way to a brighter day 
Don't let it stop in you don't let it die in you 
Breath just breath 
Just fly away persuade all the madness 
Just bounce just sway just listen 


Dumbfoundead 

Across the seas I hear piano keys playin, translating languages 
through the rhythms in beats bangin, a universal exchange, of personal
pains and joys, it started with a verse, each person just came and 
joined in, some are complete strangers, some only teenagers, all of us 
creators, , we are the dreammakers, internationally transmittin 
through bandwidth, passin this bands passion so the masses can jam 
with us, all are invited to play, none are required to pay, let the 
virus spread, inspire heads, go pirate away, this is that free music, 
for people who need music, just listen and breathe to it, I hope that 
you feel movement, different souls around globe, connected through 
sound makin, they set the foundation now we take it to groundbreakin, 
everybody played there part and now we have one song, and this is how 
an unheard voice becomes strong 


Esna

Sing your heart out let your soul be heard 
Move to the rhythm to the groove of the drum beats 
Chill to the lines disappear to the moment 
Fly away persuade all the madness 
Just bounce just sway just listen

Free download of this song is available at

www.dumbfoundead.com

Town Hall Meeting with General Steele

iHEART TRACK OF THE WEEK

The iHEART TRACK OF THE WEEK features Rapper Wax (out of Cali) and Producer EOM (our of VA) were once distanced by miles, but were then connected through the beauty of the internet. After creating the highly acclaimed "Adventures of Larry and Tina," Wax and EOM created more music together including their outstanding independent release Liquid Courage.
A few months ago, they released "Relax" as a single (doesn't appear on Liquid Courage, but should end up on some album somewhere) and made a truly dope video for it.


Without further ado, here is "Relax" by Wax and EOM

Below you'll see the video of 'Relax' Directed by Casey Chan. 
Contact info:

u-LOVE Dilla Dawg, We Really Do


Throughout the past seven months, Jessica Estevez has collected a few picture's with emcees, dj's, hip hop supporters, friends, photographers, bloggers, 
radio personalities, publicists, p.r., and more
 that represents iHD.com.

Check out the iHEART Album dedicated to 
THE GREAT J DILLA. 
Rest In Beats 
February 7th, 1974- February 10th, 2006 


Below you will see a few responses that are straight from the heart of music lovers from New York City, Japan, Chicago, Boston, and California. See what they had to say about the great Dilla Dawg.

J Dilla introduced the world to a completely unique universe of sound. His influence has been a complete game-changer in hip-hop. And the world is a better place for it.– Judge Mental, Vinyl Meltdown



J Dilla to me embodied what hip-hop is all about. Of course he made great music, but beyond that he was able to use his music to mobilize and unite people. He gave a whole city/section of the country a distinct sound for others after him to follow. However, the most remarkable aspect about Dilla is that although his time was cut short, he was able to touch an astonishing amount of people through his music. That is why he has a legacy that will never be forgotten. 
 Zach Cole, Potholes In My Blog

Even though I'd heard his music before I knew who he was (like many), I was always enamored with the songs. When I started educating myself through my own digging (and a certain Facebook group), I grew to love the surprises -- the songs, the samples, the loops, and the subtle intricacies in his work. Dilla's music is the most pleasant surprise in my musical journey. 
– Joanne Sainvilier, Hip Hop Lovers

J Dilla represented (and still does represent) a producer who truly embodied the term producer. His influence on the breed of hip-hop I love is unprecedented and unmatched. His beats weren't just drums and loops, they were fleshed-out pieces of music. And even when he was chopping and flipping samples, such as on Donuts, Dilla was clearly on another level. Without him, one of my personal favorite albums, Common's Like Water for Chocolate, would not have been the atmospheric, smoky masterpiece it is. R.I.P. James Yancey 
– Andrew Martin, Potholes In My Blog 


J Dilla meant the divine love movement. The love of the boom bap. The love of going against the grain. The love of Digging in the crates for dusty vinyl.  Bridging the Gap between jazz, detroit soul, and Hip hop. Few people really  understood his genius. Not only was Dilla the illest producer he was also a great musician who understood music theory. I was honored to chill with Dilla! Talk to him on the phone! Smoke L's and build with the brother before he left this plane. His Genius cannot be forgotten!!
- D Prosper 

J Dilla is the personification of the future of hip hop music. He was way ahead of his time and will forever be an inspiration to me as producer. Dilla laid the blue print for a lot of folks to follow. 
- Metaphysic

I wasn't a follower of Jay Dee until he passed away, I will admit. But since then, I have embraced his wonderful music and the movement he has created with open arms. His presence will be one that resonates in hip-hop for years to come. J Dilla lives! 
– David Reyneke, Potholes In My Blog

J Dilla to me means so much but primarily I'd say he taught me how to look at things from a whole other angle that couldn't be seen or heard, or turning a stone on its side and seeing another part.  
With sampling, it gets ragged on alot by music purists who claim there isn't talent involved. Dilla made sampling alone, an art. While what can seem like subtleties at first, I would find new meaning everytime I'd play certain records and arrangements. He taught me anyone can take something that already exists and put a new fresh spin on it, and spark emotion to boot.  
He had so much style and personality to his craft. J Dilla taught me, that anything can be art, as long as u find a way to express emotion with what u r doing, whether its original or revised...Art is Art. 
- Michel Desgrottes, Hip Hop Lover

J Dilla is inspiration through an MPC...soul through a morg syn-th and defying all obstacles through a sample. When I listen to his music no matter what type of situations, I'm going through his beats take my mind else where. It's almost like he's speaking to the listener through his productions. Dilla is timeless and no matter whether your a producer or an mc if you don't k know who Dilla is you need to do your research. 
Dremur, emcee

J Dilla was a creative being that was able to tattoo his genre with a distinctive signature, while stepping beyond it. Innovative is merely an understatement. He is a legend in his own right. What makes him relevant is what will make him live forever. A true musician that has influenced many and will continue until there is no more. His creative motions moved people. Not everyone that makes their music public can say that they're capable of doing that.
-Bronx Uber Villian, emcee

From growing up listening to ATCQ's,  Beats, Rhymes, & Life, joints he did for De La Soul and The Pharcyde, to his solo albums and unreleased beat cds, there aren't enough words to describe the immense influence J.Dilla has had on my life. As a matter of fact, J Dilla's legacy/music has played a tremendous role in shaping my group, O.I.S.D. It's just sad that he had to leave this earth for people to realize how great he truly was. His sample/chop game...ridiculous!!!  His production range? Eclectic. He wasnt just a beatmaker but an actual producer that played instruments as well!! Thank you for everything, glad we have the same 1st name. 
Non stop bangin' like a Dilla instrumen-tal! 
– J Monopoly, emcee, producer, dj

You know how people embrace like Bob Marley, Jimi Hendrix, as their musical heroes, well  Mr. James Yancey was one of mine. From me hearing my first taste of wax of a Jay Dee production on First Down (Jay Dee & Phat Kat) in '95 I was personally attached to his sound, so every record that said produced by Jay Dee, I was purchasing 2 copies. And this was when I wasn't even doing.
He inspired all, even without them really knowing, we talking about a guy who made Common's "Dooinit" out of Rick James "Give It Too Me Baby" not to put that out there like that but his ear was crazy. He made ALL producers 
wanna step they game up and go home and turn the MPC, SP 1200 on from pioneers to new producers coming out, but it was on the low, like almost it's a secret. Dilla was the peoples and fans choice not the industry choice, and that's what's so Hip Hop to me, like all the DJ shit collecting records, drum breaks, chops, loops always keeping the record element in it. I wish I could have met Jay, his music will always live through us. R.I.P.  RESPECT. 
– Quis Star, producer

J Dilla's "Climax" off of Slum Village's Fantastic Vol. 2 album was the first song of his I had ever heard. It blew my mind immediately. I had never known this style of hip hop, I had never eXpected it. Jay Dee's production was so raw and simple, yet eXtremely refined and complex. To me, music hasn't been the same since that moment. - theMarXman, emcee

J Dilla was the soundtrack to my life and I didnt even know it until I read my favorite cd's liners notes.  He gave songs that changed my life their boom & the bap. In turn being the catalyst that changed the way I ultimately made/listened 2 music – Fresh Daily, emcee

When my best friend told me that Dilla had passed away, my heart stopped. The loss of an artist of his caliber is always abrupt, always cruel. No one is as genuine as Dilla. No one is as soulful as Dilla. His music reached me at a depth of emotion that nobody else has in hip hop, or any other genre. Every time I write a verse or make a song, I do so with the hope that Dilla would approve. I miss nothing in music more than being able to hear a new Dilla beat and I don't foresee that ever changing.
-Soul Khan, emcee

Although his body's gone back to the ground, J Dilla still means Present and Future of hip-hop.. there still are so many unreleased tracks more of J Dilla to come and to be discovered... he means hope & inspiration. 
– Kaz, Hip Hop lover

J Dilla means Hip Hop. J Dilla simply means real music that sprouts from the soul to engage the masses in something inexplainable. 
– Dope ScienZe, emcee

J Dilla exemplifies what it means to trail blaze, stay in your own lane, do not what they want you to do but do your own damn thang. Dilla wasn't just digging for soul sh*t he was out the box digging through all genres. As a young producer listening trying to figure out where he sampled stuff how he created patterns I too got inspired to digg outside the box and that is the reason why my music is the way it is today. Thanks to Dilla. For him to be able to play live instruments is also inspiring. His drums patterns...totally out of this world. A lot of Dilla's drums had a different kind of soul and blackness to it to where you knew it was just special, and because it sounded so unique you had no choice but to be a fan and "Fall In Looooove..." with the music! J Dilla Changed My Life!!! 
– MeccaGodZilla, emcee/producer

The first time I ever heard J Dilla was on The Pharcydes Labcabincalifornia album.  Although I didnt hear the album until I got to high school, years after the albums release, Runnin’” always stood out to me.  And how could it not?  When Commons Like Water for Chocolate dropped, The Light” ended up on every other mixed CD I made.  One of my friends would bump The Red in the car every now and then, but had no idea who it was because it was a mix CD he found in class one day.  It was just this dope mystery song that we never bothered to look up.  He made all these dope songs I knew, yet I had no idea he existed.  Then came Donuts and his death, and I finally put 2 and 2 together.  This guy was one of my favorite producers and I didnt even know it.  But he knows it now, and I think that counts for something in the end. 
– Fred Castano, Potholes In My Blog and iHEARTDilla

I didn't know about Jay Dee when I started listening to hip hop music. 
Few years after I started digging in vinyls, I found out that every vinyl had 'James Yancey' or 'J Yancey' written on it which I think is mad dope. But, I still didn't know that it was Jay Dee. He passed away when I really got deep into his characteristic J Dilla beats.
I don't know if I can describe it correct in English. But, when I listen to his music, I feel love, soul, passion and strength deeply in his music. I can see something beautiful is sparkling. yes...it's all love.
- Akkee of iHEARTDilla

J. Dilla to me is the one thing that all hip hop heads can agree on. The man was genuis. His status like the other greats that left this earth before him, are not to be argued in any of the barbershops. He was that good, and we all know this. As for what he means to me, as an artist I cant help but go after that status. The thought to inspire others is, well, quite inspiring.  
-Top $ Raz, emcee

In 1996, I was introduce to the productions style of J DILLA; when a friend gave me a group album called "J88".
The "J88" album was the tipping point of what was yet to come in my influences of listening to good soulful sounds of Hip-Hop music. Then the same year, The Pharcyde, Labcabincalifornia album dropped and J DILLA really did change my life. The tracks I love so much from that album are "Bullshit", "Somethin' That Means Somethin', and "Runnin". I was also happy to see that J DILLA work  with A Tribe Called Quest on (The Love Movement) album, De La Soul on the "Stakes is High" album and a host of many other album projects. This is why J DILLA is my number one favorite producer of all time and has made a big impact on my life. R.I.P "James Dewitt Yancey" aka J DILLA; your life and legacy will never be forgotten. -Iveriani-The Illest Publicist


To me J Dilla represents originality in it's purest state. His music will be a huge influence in hip hop forever. LONG LIVE DILLA!!!!!!
-B. Smith, emcee

I was first introduced to J Dilla back in 2005. I was given a mix full of songs
which included tracks by De La Soul, Proofe, A Tribe Called Quest, and too many to name that I had already heard of and I was like, "NO WAY!" This man is amazing! And up until that point, I will admit-- I never paid any attention to who produced what. After that day I was searching for everything J Dilla related. The love that I have for J Dilla's music is infinite. Donuts, is by far one of my favorite albums ever. EVER. I listen to that album atleast once a month. It has been the soundtrack of my adult-life. My background music has seen the good, the bad, and the ever growing ME. He is the mirror of Hip Hop music thus one of the many reasons why I named my site iHEARTDilla.com. 
-Jessica Estevez Editor in Chief of iHEARTDilla.com

BROWN BAG THURSDAY | February 11th & 25th

J Dilla's Top 10 Donuts


When Donuts first came out, I think every hip hop listener was taking it as a curveball. It wasn’t a “hip hop album” per se, it was an instrumental album that contained a variety of flavours, like a box of donuts. One thing people couldn’t deny was how good it was. Highly regarded as one of the most important and best albums of the 2000-2009 decade, Donuts provided listeners a unique listening experience; one that seemed as if a radio was turned on and being turned from channel-to-channel every 85 seconds. It provided listeners with grips from every genre, while being able to intake the beauty and meanings attached to each track. Most importantly, it provided listeners a new way of listening to music. Hip hop fans especially, who have been notoriously closed minded and unwilling to change, were taken on this musical rollercoaster and were going to have a good time on it even without a catchy chorus or a witty punchline.
      Donuts acted like a C.S. Lewis novella, inviting the audience to step inside the wardrobe and experience a world beyond what they knew, and hopefully a world they would grow to love, enjoy, and want to stay in. To say that it was an outer-worldly experience would be correct, but to say that it was unlike Dilla would be invalid. Donuts comes from a producer who constantly pushed the boundaries of hip hop, always tried new things, new sounds, and always incorporated a variety of tasty treats in each beat he produced. Unlike most producers, Dilla was able to tell stories in his beats, sometimes forcing the emcees to step their game up remarkably. His beats more-or-less stole the show and really were able to stand alone.
      While the cover of the project shows only the defining grin of J Dilla himself, the album is overloaded with a mixed bag of emotions, attitudes, and atmosphere. There is no set picture one can frame over the 43 minute time span, and there is no need to.Dilla sets the picture for you, and that smile, even when on the hospital bed making these no acclaimed beats, is the product of the completion of what may be one of hip hop’s finest masterpiece.
      Sit back and watch as Freddie C and I, Sean Deezill, return to form and present iHD readers with our opinions and explanations of J Dilla’s Top 10 Donuts.

Sean's list
Posted with J Dilla instrumentals

10. “Bye
à Of course, right after “Hi.” is “Bye.” (both have periods after their title, by the way). Doesn’t it have that cliché end-song theme to it? Not that that’s a bad thing, in fact, it begins the end of Donuts perfectly in that Mr. Rogers type of way. It’s a friendly goodbye, hoping we had enjoyed our stay. The beat doesn’t slouch at all though, and it is proof that Donuts had never let up as an instrumental piece or as an artistic dynamic all together. The drums and the Isley sample is really gorgeous. Common did it justice on The Shining, not sure if what he did on Finding Forever matched that caliber though.

9. “Mash
à A haunting and slightly unsettling piece of beauty that keeps on intriguing the listener as the song goes on. It's one of those songs that keeps you thinking as it keeps going, especially with the "don't be mash" notions from the voiceover. Do you think Doom and Guilty did this beat justice? It certainly presents a challenge to any emcee that would step to it, however, it could be a great beat to provide a concept to as well.
8. “U-Love
à Sing that ish Ice Man, sing it. What a treat for those who haven’t heard Jerry Butler to hear Dilla bring this sample out and back these vocals up with perfectly timed horns, a relaxing and soothing drum rhythm, and various other instruments for any keen ear listener to feast on. It’s just a same that this Donut seems to end quicker than any of the others.

7. “Airworks
à Even though my favourite moments of this donut come from the beginning (the vinyl skip intro) and toward the end (when a split second bleep of “Lightworks” can be heard), “Airworks” is similar to that of an artistic collage. The vocal sample is cunning and sharp, as every note hits home as it trails in and out. It's when It uncharacteristically flows off suit and vibrantly seems all over the place that it is at its best and it's also at this time that Dilla is more in control than ever with his production. Don't believe me? Revisit "Drop" and witness who perhaps mastered the unorthodox.

6. “Workinonit
à It’s hard to pinpoint where the genius in “Workinonit” is at its peak. Is it the engine revs? Is it the “workinonitclips throughout? Is it the in and out electric guitar strums? The longest Donut is also one that would most likely succeed beyond an instrumental, simply because it is fully in tact with vocal drops throughout, an intro, a climax, and a conclusion, and a spaced out ambition to take listeners to yet another musical dimension. This Donut set the bar remarkably high for the rest of the disc.

5. “Stop
à I do love the way Khrysis flipped this same Dionne Warwick sample up, but something about Dilla’sStop” really screams a really cinematic and epic romantic scenario. The structure is really the most beautiful part about it, simply because the climax is built up and when it delivers (“you better stop! And think about what ya doin”), Stop” is at its most satisfying. It comes to a marvelous close with the electric guitar backing Warwick’s voice. It’s really, really nice.

4. “Gobstopper
à No lie, I could listen to this beat all day. Sure, it’s possibly the most repetitive Donut; it has the same pattern, there’s no surprise inside of it, and it sets the record straight from the beginning via the horns. But, those horns are so perfect. They don’t hit as hard as “Glazed,” and they aren’t as timely used as heard on “The Diff’rence,” but they are so satisfying, so enjoyable, and so soulful that they beg to be heard over and over again. They pack an emotional punch and the horn throughout is a nice touch to add a little additional flavour.

3. “Two Can Win
à This is perhaps the most addictive Donut, let’s say the Krispy Kream of the batch. Yes, we all see you repeating “only one can win, only one can win.” Yes, we’ve seen those same lyrics on your Twitter, Facebook, and MSN. We don’t blame you at all. The message is instilled in the song and The Sylvers vocals throughout would in most cases be somewhat annoying and redundant. I can’t picture this song being any different though. Note the irony of the lyrics (and original song title of the sampled song) and the title Dilla gave it. Hmm…

2. “Lightworks
à In retrospect, it took time for “Lightworks” to grow on me. Further in retrospect, I can't understand why. What may be Dilla's tastiest Donut has been blessed with the likes of Q-tip, Talib Kweli, Busta Rhymes, and MF Doom. And unsurprisingly, the beat even with all that talent on it, still remains the star of the show. It's fast pace while being so smooth and hard hitting. Those stick-on-stick-like drums are so perfectly timed and the various ingredients (the alarm horn, vocal sample, Dilla’s adlibs) are marinated in so evenly that not one bit of this donut is over-sprinkled. The spacey elements give it this futuristic feel, and the Dharma Initiative-type (shout out to all my lost fans) of introduction set the tone for what really is an instructional video on dope beat making. One has to wonder though, is the vocal sample really saying "light up a spliff?" ha.


1. “Time: The Donut of the Heart
à This is without a doubt my favourite Donut and arguably one of Dilla’s best beats. We were lucky to have this beat graced by Black Thought on Game Theory, but this beat could always stand alone as a strong two minute zone out. The emotion pours out all over this track and without saying anything, it tells listeners entire stories; stories of heartbreak, uprising, victory, defeat, and education. It tastes good however you want to eat it, and only a select amount of beats hold this kind of depth and proverbial nature. How perfect of an “end credits” song would this be? 


Freddie's List
Posted with the original samples



1. "Lightworks"
Of course this is the number one rank, this is one of Ma Dukes’ favorite DonutsMF Doom used it on his song of the same name, one of the highlights from Born Like This. 


2. "Workinonit"
Great example of the production style that made J Dilla and Madlib popular: a lot of samples, a lot of stuff going on, and yet it all comes together like all these clips were made for each other.


3. "Stop"
I LOVE the Dionne Warwick sample, absolutely love it. Sprinkle in a little Jadakiss and some scratching, “Stop” works wonderfully as an instrumental by itself instead of being rapped over. 


4. "Geek Down"
I’m a sucker for any beat that incorporates “UFO” by ESG.  Ghostface later rips it to shreds on “Murda Goons.”


5. "Time: The Donut Time of the Heart"
Aptly titled, as it’s seemingly the most heartfelt of the Donuts. The Roots wisely chose this Donut to use as their J Dilla tribute, “Can’t Stop This.”


6. "Gobstopper"
Not a complex beat, and it is rather repetitive, but it begs to be rapped over.  Big Pooh of Little Brother used it for “Plastic Cups,” and even Joe Scudda brings his A-game on it.


7. "The Diff’rence"
The piano gets put to work on this one, I would LOVE to see someone rip the first minute of this Donut.


8. "The Twister"
Another beat with a lot going on.  I nominate Ghostface to start rapping when the flute kicks in at 0:21.  Tell me that wouldn’t cause a scene from your speakers.


9.  "Thunder"
There’s something thuggish about that piano, like it’s menacing.  I want to hear Prodigy on it for some reason.


10. "Bye"
This beat has the almost-cliché  “heartfelt song at the end of the album” feel to it, but in a good way.  Talib Kweli used it for “I Feel You.”



By:
Freddie C. & Sean Deezill

*To purchase the Donuts album click here.

LOOKING FOR THE PERFECT BEAT

Tanya Morgan

Canibus, Homeboy Sandman & Many More

2U4U

iHEART TRACK OF THE WEEK

This week's iHEART Track of the Week goes to California duo Tomorrow, Yesterday. The Inland Empire natives have opened up for The Pharcyde, and Busta Rhymes to name a few, and are well on their way to making a major name for themselves. 

Check out their ode to the opposite sex, "Ladies Say"

Contact info: